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Parkwood Cup Round 3 2019 - |
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Judge Steve Caroll ARPS |
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Name |
Title |
Score |
Comments |
Total |
Position |
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Anne Blunt |
17 |
Likes : watercolour effect, limited warm hues, simplicity. |
31 |
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14 |
Likes : use of depth in composition, use of human figures, perspective. |
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Barbara Trigg |
14 |
Likes : the single acorn among the busy scene created by all the foliage. |
27 |
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13 |
High contrast treatment of this rose with some very bright areas and dark, somewhat complicated, surrounds not really working. |
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Brenda Williams |
14 |
Likes : petals are main interest, despite the presence of a human face. |
29 |
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15 |
Likes : main character and his concentration on his game, |
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Dee Blackman |
17 |
Did not view this as a nature image – more a fairly graphic pictorial. Butterfly stands out againsboth white and dark areas so shape and form easily discernable. Good sharpness |
33 |
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16 |
Likes : fur and wood textures, eye catchlight. |
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Elaine Cranmer |
14 |
Likes : diagonal composition. |
29 |
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15 |
Likes : stormy atmosphere captured – to an extent. Layers and bands in composition. |
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Elaine Pavis |
13 |
The strongest point is the relationship between the bike and the shadow – but more could have been made of that by darkening the shadow. Would have preferred the rider to be against the sky rather than partly against the trees. Light tones, including on rider, need more work. |
31 |
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18 |
Likes : good control of depth of field, bee / flower head are sharpest areas. Diagonal composition / position of bee. Detail / pollen on bee. |
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Gary Collins |
18 |
Likes : black and white treatment, moody, gritty feel, vignetting, eye contact. |
34 |
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16 |
Likes : striking colours, frame filled well with the swirls. |
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Henry Slack |
19 |
Likes : sense of depth created by darker tones in foreground becoming lighter into the distance, letterboxing, monochrome. |
34 |
2nd |
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15 |
Likes : stark effect. |
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John Harvey |
15 |
Likes : simple one- |
30 |
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15 |
Likes : nice tight composition, silhouette of tree and interesting sky go well together |
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Joan Hagan |
15 |
Likes : sharpness, lead through achieved by following river, depth of field. |
27 |
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12 |
Likes : the bluebell carpet effect. |
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Keith Tomlins |
13 |
Likes : the water. |
30 |
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17 |
Likes : inventive use of shutter speed, frame well filled with legs and shadows. Caught at the right point of strides. Red on shoe catches attention. Shiny surface. |
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Kevin Towler |
15 |
Likes : humourous and inventive. |
32 |
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17 |
Likes : high grain treatment, symmetry. An often photographed scene so needs an individual touch – and has one. |
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Lavina Cowland |
17 |
Likes : drama in the well- |
34 |
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17 |
Likes : backlighting coming through petals. |
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Linda Mercer |
13 |
Likes : cherub looking into frame. |
27 |
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14 |
Likes : sharp focus on main subject with main subject slightly out of focus. |
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Louise Hubbard |
15 |
Likes : symmetry. |
33 |
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18 |
Likes : feels very 3D, moon comes forward, moon itself also looks 3D and spherical. Like the symmetry. Texture on moon surface. No problem with converging verticals – this is not an architectural image. |
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Mary Tomlins |
18 |
Likes : simple, effective arrangements of shapes, forms and colours. Round bowl sets off the long spoon shapes. |
33 |
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15 |
Likes : texture and detail on the bells which are in sharp focus. Diffused out of focus areas. |
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Nick Kemp |
15 |
Relies on shapes and lines and partially succeeds. I think a stronger composition could probably have been achieved at the location. |
29 |
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14 |
Likes : 3 bands – green, pylons, sky. |
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Patricia Begley |
15 |
Likes : caught the moment well – interaction and water splashes. |
30 |
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15 |
Likes : fairly interesting silhouette. Swirl of pink cloud top right. |
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Paul Rayment |
18 |
Likes : the striking quality of the monochrome presentation. Just a hint of detail in the dark hair. |
34 |
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16 |
Likes : enjoy the smooth yet textured glass, curved stem and bloom. |
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Roger Nolan |
20 |
Likes : general feel and atmosphere, mono treatment, soft lighting, slightly toned effect, control of tonalities, pose, hair just separated from background, face appropriately the lightest tonal area. |
37 |
1st |
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17 |
Likes : contrast between red and blue, connection between red lips and red dress. Tonalities very well controlled with face just a little lighter than other skin areas. |
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Ronnie Murray |
15 |
Likes : diffused and simple background. |
31 |
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16 |
Likes : atmosphere of the day captured well – feels like a chilly November morning. |
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Sandy Truckell |
16 |
Likes : differential focus, diffused areas in background and foreground. |
35 |
3rd |
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19 |
Likes : Very limited depth of field but it is positioned just right with the eye sharpest. Diffused background. Detail of claw gripping tree with bird upside down. |
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Stephen Long |
14 |
Likes : general feeling of spring sunshine, diffused background. |
29 |
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15 |
Likes : strong simple shape of the barbed wire. |
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Steve Akehurst |
16 |
Likes : positon of car – at left and in air. Red on black / grey. Competent panning. Face in window. |
28 |
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12 |
A potentially interesting subject but composition is very messy – car in top left corner, foreground grasses very bright, various other very bright highlights. |
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